Kantorek (KAHN-tow-rihk) The hometown schoolmaster, a chauvinistic sloganeer, who fills his students’ heads with impassioned speeches about duty to the Fatherland and sends them letters that depict them as “Iron Youth.” As a member of the local reserves, he is tormented by his former student Mittelstaedt, who teams him with the school janitor to demonstrate how poor a soldier Kantorek turns out to be.Ĭorporal Himmelstoss (HIHM-muhl-shtahs) A former postman and wartime drill instructor caught up in an illusion of power, Himmelstoss demonstrates bullying and tyranny, incurring wrath for humiliating two bed-wetters. After his capture, he is sent before a field tribunal and never heard from again. Filled with longing for home, when cherry trees are in bloom, he deserts.
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Haie Westhus (HY-ee VEHST-hoos) A nineteen-year-old peat digger, Haie prefers a military career to a lifetime of manual labor but dies of a back wound, never to achieve his ambition to be a village policeman.ĭetering (DEE-tuh-rihng) An Oldenburg peasant who hates to hear horses bellowing from pain and is plagued by worries about his wife, who must tend their farm alone. Joseph’s, his rapid decline and death from a leg amputation is Paul’s first eyewitness experience with personal loss. In the summer of 1918, Leer bleeds to death from a hip wound.įranz Kemmerich (frahnz KEHM-muh-rihk) Paul’s slim childhood friend and fellow volunteer who longs to be a forester. Leer (lair) Paul’s mature schoolmate and math whiz who titillates his comrades with details of sexual intercourse, which the others have yet to experience. Taking comfort from his companions, he resigns himself to an artificial limb. Albert is promoted to lance corporal, then threatens suicide after his leg is amputated at thigh level. Not the least of his skills is the ability to joke in order to take the men’s minds off bombardment.Īlbert Kropp (kruhp) The best student in Paul’s class, he joins Paul in rebelling against Himmelstoss’ bullying. Stanislaus “Kat” Katczinsky (STAN-ihs-laws kuh-ZIHN-skee) About forty years old, Kat, a crusty, jocular cobbler and veteran of the battlefield, serves as a noncommissioned tutor and father figure to Paul and the others, who depend on him for locating food, arranging for light duties, and helping them cope with the exigencies of survival, such as listening for incoming shells and sensing an attack. Pragmatic to a fault, he inherits Kemmerich’s soft airman’s boots, then wills them to Paul as Muller lies dying with an agonizing stomach wound. Muller (MEW-luhr) A scholarly young man who continues studying his physics books and thinking of exams. Tjaden’s drive for revenge reveals the negative side of an otherwise peaceable personality. A former locksmith, Tjaden is unable to control his urine during sleep and draws ridicule from Himmelstoss. Tjaden (JAH-duhn) A thin, nineteen-year-old soldier with an immense appetite. His loss of innocence during the cataclysm is the focus of the author’s antiwar sentiment. If you like this article, you might be interested in some of our other articles on Got Milk Fonts, Wedding Fonts, Art Deco Fonts and Coca Cola Fonts.Paul Baumer (BOY-muhr) The sensitive twenty-year-old narrator of the novel, who has written poems and a play entitled “Saul.” Paul reaches manhood during three years’ service as a soldier in the Second Company of the German army during World War I. Stylish and bold, Western fonts are a very popular category of fonts used in design. Try playing around with the edges of fonts for a fresh new look, by adding bumps to the outlines,or getting them to curve inward. You can also choose highly decorative fonts with curves, arches, and delicate patterns. You can go for a font that look very abstract in its play with circles, semi-circles, squares and triangles. If you are using a Serif font a play of geometry is a good idea. With this regular font as the base you can try variations like strokes through the centers of letters, cool shadow effects to make the letters look raised, or a pattern of dusty specks for a cool effect. If you want to keep the tone formal, go for a regular style font that remains uniform throughout. How you play with the look of a font can depend on what you want to say. A Western Font has an international appeal and appears the same across countries, so it is a good choice for messages that are meant to reach as many people as possible. Every font has something to say, which is why a cool-looking font can really add to any statement you want to make in a poster, print, or anywhere else. Fonts say a lot about the mood you want to communicate, formal or informal, serious or just casual fun.
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